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Kathy Acker

Personal Profile

Kathy Acker
  • Date of Birth:
    April 18, 1947
  • Zodiac Sign:
    Aries
  • Place of Birth:
    New York City
  • Place of Death:
    Tijuana, Mexico
  • Date of Death:
    November 30, 1997
  • Sex:
    Female
  • Nationality:
    American
  • Religion:
    Judaism
  • Education:

    Brandeis University

    University of California at San Diego

    New York University

Family

Kathy Acker
  • Spouse:
    Robert Acker

Career

Kathy Acker

Trivia

Kathy Acker
  • Her last novel, Pussy, King of the Pirates, published in 1996, showed signs of Acker’s broadening interests as it incorporates more humor, lighter fantasy and a consideration of Eastern texts and philosophy that was largely absent in her earlier works.
  • Acker published Empire of the Senseless in 1988 and considered it a turning point in her writing.
  • She recognizes the world’s many lies and fakes, believes in nothing and regards identity as an internalized fictional construct.
  • In Acker’s version of Miguel de Cervantes' classic, Don Quixote becomes a young woman obsessed with poststructuralist theory, taking it to a nihilistic extreme.
  • In 1986 she published Don Quixote, another one of her more acclaimed novels.
  • In 1984 Acker published My Death My Life by Pier Paolo Pasolini and a year later published Algeria: A Series of Invocations because Nothing Else Works.
  • She did not receive critical attention, however, until she published Great Expectations in 1982.
  • In 1979 Acker finally received popular attention when she won a Pushcart Prize for her short story "New York City in 1979."
  • In 1981 she won a Pushcart Prize for her novel New York City in 1979.
  • Author of almost a dozen novels, dozens of short stories and essays, an opera libretto, and a screenplay, she wrote about violence, alienation, and feminism.

Quotes

Kathy Acker
  • "Yeah, I mean, I put work out there for people to use and I'm grateful when you use it."
  • "We get on the bandwagon in all sorts of ways - you know minor ways and major ways - like what you've just encountered which isn't censorship exactly, it was something sort of uglier in a way."
  • "Some of the stuff about Yogi energy is really fascinating."
  • "One of the reasons I think the ultra right-wing has such power in this country is that no one talks out."
  • "On the surface we all act like we all love each other and we're free and easy, and actually we're far more moralistic than any other society I've ever lived in."
  • "I'm very staid compared to my students, actually."
  • "I'm really fascinated and you know I've been wondering about that usage of language, various breathing techniques and why in these practices language is being used in another way."
  • "I write it to get it out of me. I don't write it to remember it."
  • "I wasn't really into body piercings until I found that about half my female students had them."
  • "I understand that when people read my books that there's something there - but I don't identify with it."
View all Quotes: Kathy Acker

Biography

Kathy Acker
Last Updated: Saturday, September 19, 2009

Kathy Acker (born April 18, 1947 in Manhattan and died November 30, 1997 in Tijuana, Mexico) is an American sex-positive feminist writer. After supporting herself as a stripper, Acker's first work appeared in print as part of the burgeoning New York literary underground of the mid-1970s. She remained on the margins of the literary establishment, only being published by small presses until the mid-1980s, thus earning herself the epithet of literary terrorist. 1984 saw her first British publication, a novel called Blood and Guts in High School.

From here on Kathy produced a considerable body of novels, almost all still in print with Grove Press. She wrote pieces for a number of magazines and anthologies, and also had notable pieces printed in issues of ReSearch and Rapid Eye. Towards the end of her life she had a measure of success in the conventional press--the Guardian newspaper published several of her articles, including an interview with the Spice Girls, which she submitted just a few months before her death.

Acker's formative influences are American poets and writers (the Black Mountain poets, especially Jackson Mac Low, and William S. Burroughs), as well as literary theory, especially Michel Foucault. In her work, she combines plagiarism, cut-up techniques, pornography, autobiography, persona, and the personal essay to confront expectations of what fiction should be. In this vein, she acknowledges language's performative function in drawing attention to the instability of female identity in male narrative and literary history (Don Quixote), creates parallelism in characters and autobiographical personas, and rids of pronouns, thus upsetting conventional syntax.

In In Memoriam to Identity, she draws attention to popular analyses of Rimbaud's life and The Sound and the Fury, constructing or revealing social and literary identity. Though she is known in the literary world for creating a whole new style of feminist prose and for her transgressive fiction, she is also a punk and feminist icon for her devoted portrayals of subcultures, rape, and violence.

In April 1996 Kathy Acker was diagnosed with breast cancer, and began to undergo treatment. In January 1997 she wrote about her loss of faith in conventional medicine in a Guardian article, "The Gift of Disease." In the article she explains that after unsuccessful surgery, which left her physically mutilated and emotionally debilitated, she rejected the passivity of the patient in the medical mainstream and began to seek out the advice of nutritionists, acupuncturists, psychic healers, and Chinese herbalists.

Filmography

Kathy Acker

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